committee
Elizabeth Ahlfors
Sherry Eaker
Kevin Scott Hall
As a performer, Kevin Scott Hall started working in theatre and cabaret as soon as he moved to New York in 1985. He had his first solo show at Panache Encore in 1986, and appeared in several Off-Off Broadway and regional productions. He continued to perform steadily in cabaret clubs in New York, Boston, and Philadelphia until 2004. During that time, he released three recordings, including his pop debut, “New Light Dawning” (1998, Cascade Records), which received radio airplay across the nation. Hall worked at the legendary piano bar Rose’s Turn until it closed in 2007, and is a frequent soloist with the Middle Church Jerriese Johnson Gospel Choir. He has taught cabaret workshops since 1995 and has directed dozens of cabaret shows.
Having earned his MFA in Creative Writing at the City College of New York, Hall continues to lecture at two City University campuses, teaching writing, speech and literature. He published his first novel, “Off the Charts!” (iUniverse) in 2010, a satire and coming-of-age novel about the music business. Since 2008, he has written dozens of artist profiles and features for Edge Media Network including his monthly column “Kevin on Kabaret.”
Rob Lester
Erv Raible
NYC based director, coach, publicist and consultant. Executive Director / Artistic Director of the International Cabaret Conference at Yale University, and Executive Director of Erv Raible Cabaret & Concert Artists International. Owned and booked the cabarets and piano bars: The Duplex (1978-84), Brandy’s (1980-85), Don’t Tell Mama (1982-89) and the legendary Eighty Eight’s (1988-99); and through these venues presented over 4000 performers to the public. Co-founded The Manhattan Association of Cabarets & clubs (president for 11 years, produced the first 9 MAC Award shows). Has written book and lyrics for Wallis & Edward: The Love Story of the Twentieth Century? and is co-lyricist for Ship of Fools: The Musical. Is directing and developing Hildegard of Bingen and the Living Light. Is developing a music documentary Silent Voices: Words and Music of the Holocaust, Hate, Hope and the Human Spirit for the Simon Wiesenthal Center.
Roy Sander
Mark Dundas Wood
Mark has been a regular contributor to Back Stage since 2001 and has also written for such publications as American Theatre and Ross Reports. His features and news blurbs appear regularly on the entertainment website Simply-Showbiz.com. As a dramaturg, Mark has worked for the New Professional Theatre writers festival since 2000 and for the New York Musical Theatre Festival on the shows Marrying Meg (Mark Robinson, 2009) and The Great Unknown (William Hauptman/Jim Wann, 2010). He holds MFA degrees in writing from the University of Oregon and in theatre (dramaturgy) from Columbia University.